Bibliographie

Sélection d’ouvrages


ALTSHULER Bruce, Collecting the new: museums and contemporary art, Princeton N.J., Princeton University Press, 2005.

ALTSHULER Bruce, Salon to biennial: exhibitions that made art history, London; New York, Phaidon, 2008.

ALTSHULER Bruce, The avant-garde in exhibition: new art in the 20th century, New York, Abrams, 1994.

ARAEEN Rasheed, Contemporary art and the museum: a global perspective, Ostfildern, Hatje Cantz, 2007.

BECK Martin, About the relative size of things in the universe, Utrecht; London, Casco; Four Corners Books, 2007.

BELCHER Michael, Exhibitions in museums, Leicester; Washington D.C., Leicester University Press; Smithsonian Institution Press, 1991.

BEE Harriet, Art in our time: a chronicle of the Museum of Modern Art, New York, Museum of Modern Art, 2004.

BENNETT Tony, The birth of the museum: history, theory, politics, London; New York, Routlege, 1995.

BILLING Johanna, Taking the matter into common hands: on contemporary art and collaborative practices, London UK, Black Dog Publishing, 2007.

BIRNBAUM Daniel, Artists at work Second Baltic International Seminar 26-28 October 2000, Gateshead, BALTIC, 2001.

BISHOP Claire, Installation art: a critical history, New York, Routledge, 2005.

BLISTÈNE Bernard, L’époque, la mode, la morale, la passion : aspects de l’art d’aujourd’hui, 1977- 1987, Paris, Musée national d’art moderne, 1987.

BOVIER Lionel, Les espaces indépendants : actes du Colloque International de l’A.I.C.A. (section suisse) du 6 décembre 1997 à Zurich, Genève, JRP Editions, 1999.

BROODTHAERS Marcel, BUCHLOH Benjamin H.D., Broodthaers: writings, interviews, photographs, Cambridge Mass., MIT Press, 1988.

BROODTHAERS Marcel, Marcel Broodthaers : Galerie nationale du Jeu de Paume, Paris, Paris, Galerie nationale du Jeu de Paume, 1991.

BUCHLOH Benjamin H.D., Essais historiques I, Villeurbanne, Art-Edition, 1992.

BUCHLOH Benjamin H.D., Essais historiques II, Villeurbanne, Art-Edition, 1992.

BUCHLOH Benjamin H.D., Gerhard Richter : Musée d’art moderne de la ville de Paris, Paris, MNAM, 1993.

BRONSON A.A., GALE Peggy, Museums by artists, Toronto, Canada, Art Metropole, 1983.

BYVANCK Valentijn, Conventions in contemporary art: lectures and debates, Witte de With 2001, Rotterdam, Witte de With Center for contemporary art, 2002.

CAILLET Elisabeth, L’art contemporain et son exposition, Paris, L’Harmattan, 2007.

CARBONELL Bettina Messias, Museum studies, Wiley-Blackwell, 2004.

COLLECTIF, MJ, Manifesta journal: journal of contemporary curatorship. Teaching curatorship n°4; Artist & curator n°5; Archive: Memory of the show n°6, Milano, Silvana, 2008.

CRIMP Douglas, On the museum’s ruins, Cambridge Mass., MIT Press, 1993.

DAVALLON Jean, Claquemurer, pour ainsi dire, tout l’univers : la mise en exposition, Paris, Centre Georges Pompidou, 1986.

DAVALLON Jean, L’exposition à l’œuvre : stratégies de communication et médiation symbolique, Paris; Montréal, L’Harmattan, 2000.

DEOTTE Jean-Louis, HUYGUE Pierre-Damien, Le jeu de l’exposition, Paris, L’Harmattan, 1998.

DERIEUX Florence, Harald Szeemann : méthodologie individuelle, Zurich; Grenoble; Affoltern a.A., JRP/Ringier; Le Magasin – Centre national d’art contemporain, 2007.

DOHERTY Claire, Contemporary art: from studio to situation, London, Black Dog Publishing, 2004.

DOUROUX Xavier, Compilation : une expérience de l’exposition, Paris, Les presses du réel, 1998.

EIGENHEER Marianne, Curating critique, Frankfurt am Main, Revolver, 2007.

FRIED Michael, La place du spectateur : esthétique et origines de la peinture moderne, Paris, Gallimard, 1990.

GLICENSTEIN Jérôme, L’art : une histoire d’expositions, Paris, Presses universitaires de France, 2009.

GREENBERG Reesa, Thinking about exhibitions, London ; New York, Routledge, 1996.

OBRIST Hans-Ulrich, A brief history of curating, Zurich ; Dijon, JRP/Ringier; Les Presses du réel, 2008.

HARDING Anna, Curating the contemporary art museum and beyond, London, Academy Ed., 1997.

HARTEN Jürgen, BROODTHAERS Marcel, Der Adler vom Oligozän bis heute : Marcel Broodthaers zeigt eine experimentelle Ausstellung seines Musée d’Art Moderne, Département des Aigles, Section des Figures : Städtische Kunsthalle, Düsseldorf, 1972.

HILLER Susan, The producers: contemporary curators in conversation, Gateshead, BALTIC, 2001. Annexe VII : Bibliographie LVII

HIRSCH Nikolaus, Institution building: artists, curators, architects in the struggle for institutional space, Berlin; New York N.Y., Sternberg Press, 2009.

HEGEWISCH BERNARD KLÜSER Katarina, L’Art de l’exposition : Une documentation sur trente expositions exemplaires du XXe siècle, Editions du Regard, 1998.

HOFMANN Werner, En revenant de l’expo., Paris, Editions du Centre Georges Pompidou, 1989.

LAWLESS Catherine, L’oeuvre et son accrochage, Paris, Editions du Centre Pompidou, 1986.

LEGUILLON Pierre (dir.), Oublier l’exposition, Art Press Spécial, n°21, Paris, Art press, 2000.

LEMAIRE Gérard-Georges, Histoire du Salon de peinture, Paris, Klincksieck, 2004.

LIPPARD Lucy, Six years the dematerialization of the art object from 1966 to 1972, Berkeley, University of California Press, 1997.

MACDONALD Sharon, The politics of display: museums, science, culture, London; New York, Routledge, 1998.

MACLEOD Suzanne, Reshaping museum space: architecture, design, exhibitions, London; New York, Routledge, 2005.

MARINCOLA Paula, Curating now: imaginative practice, public responsibility, Philadelphia PA, Philadelphia Exhibitions Initiative, 2001.

MARINCOLA Paula, What makes a great exhibition?, Philadelphia PA; Chicago IL, Philadelphia Center for Arts and Heritage, 2006.

MARTENS Hans, Wide White Space, Düsseldorf, Richter Verlag, 1995.

MCSHINE Kynastone, The museum as muse: artists reflect, New York, Museum of Modern Art, 1999.

MERLEAU-PONTY Claire, L’exposition, théorie et pratique, Paris, L’Harmattan, 2005.

MÖNTMANN Nina, Art and its institutions: current conflicts, critique and collaborations, London, Black Dog Publishing, 2006.

MOULIN Raymonde, L’artiste, l’institution, et le marché, Paris, Flammarion, 1992.

NEMET-NEJAT Murat, The peripheral space of photography, Copenhague; Los Angeles, Green Integer, 2003.

NEWHOUSE Victoria, Art and the power of placement, New York N.Y., Monacelli Press, 2005.

NICKAS Robert, Bob Nickas, collection diary, Zurich, JPR Ringier, 2004.

NICKAS Robert, Vivre libre ou mourir : sélection de textes, 1985-1999, Dijon, Les presses du réel, 2000.

O’DOHERTY Brian, Museums in crisis, New York, G. Braziller, 1972.

O’DOHERTY Brian, Studio and cube: on the relationship between where art is made and where art is displayed, New York, Columbia University, 2007.

O’DOHERTY Brian, White cube. L’espace de la galerie et son idéologie, Zurich, JRP Ringier, 2008.

O’NEILL Paul, Curating subjects, London, Open Editions, 2007.

OWENS Craig, Beyond recognition: representation, power, and culture, Berkeley, University of California Press, 1992.

OWENS Craig, The Allegorical Impulse: Toward a Theory of Postmodernism Part 2, 1980.

POINSOT Jean-Marc, L’atelier sans mur : textes 1978-1990, Villeurbanne, Art édition, 1990.

POINSOT Jean-Marc, Quand l’oeuvre a lieu : l’art exposé et ses récits autorisés, Dijon, Les presses du réel, 2008.

POMIAN Krysztof, L’Art contemporain et le musée, Paris, Editions du Centre Pompidou, 1989.

PUTNAM James, Le musée à l’oeuvre : le musée comme médium dans l’art contemporain, Paris, Thames & Hudson, 2002.

RAND Steven, Cautionary tales: critical curating, New York, apexart, 2007.

REISS Julie, From margin to center: the spaces of installation art, Cambridge MA, MIT Press, 1999.

RIBALTA Jorge, Public photographic spaces: exhibitions of Propaganda, from Pressa to The Family of Man, 1928- 55, Barcelona, Museu d’Art Contemporani de Barcelona, 2008.

RUGG Judith, Issues in curating contemporary art and performance, Bristol UK;Chicago, Intellect, 2007.

SCHAFHAUSEN Nicoalaus, Die Frage des Tages = The question of the day, New York N.Y., Sternberg Press, 2007.

SCHUBERT Karsten, The curator’s egg: the evolution of the museum concept from the French Revolution to the present day, London, One-Off Press, 2000.

SEROTA Nicolas, Experience or interpretation: the dilemma of museums of modern art, New York, Thames and Hudson, 1997.

STANISZEWSKI Mary Anne, The power of display: a history of exhibition installations at the Museum of Modern Art, Cambridge Mass., MIT Press, 1998.

TANNERT Christoph, Men in black: Handbuch der kuratorischen Praxis = Men in black: handbook of curatorial practice, Frankfurt am Main, Revolver, 2004.

THEA Carolee, Foci: interviews with ten international curators, New York N.Y., Apex Art Curatorial Program, 2001. Annexe VII : Bibliographie LVIII

THOMAS Catherine, The edge of everything: reflections on curatorial practice, Banff AB, Banff Centre Press, 2002.

TREZZI Nicolas, « The Art of Curating. A constellation of artist-curated exhibitions », Flash Art International, n°271, Mars-Avril 2010.

WADE Gavin, Curating in the 21st century, Walsall ; Wolverhampton, New Art Gallery Walsall; University of Wolverhampton, 2000.

WELCHMAN John, Institutional Critique and after, Zürich; New York, JRP/Ringier, 2006.

WITCOMB Andrea, Re-imagining the museum: beyond the mausoleum, London; New York, Routledge, 2003.

WOLFSON Rutger, This is the flow: the museum as a space for ideas, Amsterdam, Valiz, 2008.

 

Cette bibliographie a été réalisée avec l’aide précieuse de Florence Cheval.